1 week Ago By Ben Waldman
Manitoba Theatre for Young People’s freshly announced 2025-26 season will begin with the curtain rising on the company’s second stage, the Richardson Studio Theatre. Read this article for free: Already have an account? To continue reading, please subscribe: * To continue reading, please subscribe: *$1 will be added to your next bill. After your 4 weeks access is complete your rate will increase by $0.
00 a X percent off the regular rate. Manitoba Theatre for Young People’s freshly announced 2025-26 season will begin with the curtain rising on the company’s second stage, the Richardson Studio Theatre. Read unlimited articles for free today: Already have an account? Manitoba Theatre for Young People’s freshly announced 2025-26 season will begin with the curtain rising on the company’s second stage, the Richardson Studio Theatre.
Formerly a rehearsal and secondary programming space, the erstwhile Richardson Hall has been undergoing an extensive renovation this past year as part of the company’s $9-million capital campaign. The mainstage on Forks Road will house five productions next season, with the studio theatre hosting the opening and closing runs. Artistic director Pablo Felices-Luna says the new space, with a lower seating capacity than the mainstage, opens a fresh frontier for smaller-scale productions to flourish and develop.
Having known about the planned renovations for more than two years, he says he considered its inaugural performance, a snowed-in comedy called , with gentleness and welcoming in mind. CHELSEY STUYT PHOTO Otosan is a semi-autobiographical production featuring wild and lifelike puppets. Written by Toronto’s Julia Lederer and Julie Ritchey, (Oct.
3-26) was produced during the pandemic in Ritchey’s native Chicago, centring on a group of community members stuck inside as their world is enveloped by a deep freeze. A chef loses their sense of smell, a librarian their vocabulary and a letter carrier their sense of purpose. Sound familiar? Next (Nov.
1-9), is dance artist Santee Smith’s , produced by Toronto’s Kaha:wi Dance Theatre; a returning show that was MTYP’s final production before the pandemic shutdown in March 2020. Created at and inspired by the Mohawk Residential School, which was operated in Ontario by the Anglican Church until 1970, owes its title to a nickname children and community members gave the institution. The third show in the slate is a musical adaptation of Rick Riordan’s YA juggernaut series about Percy Jackson.
“I have a soon-to-be 11-year-old who reads the books, and I had to be so disciplined to keep this a secret,” Felices-Luna says. “We’re telling her this weekend and she’s going to lose her mind.” The storm is expected from Dec.
5 to 28. Next up (Jan. 30-Feb.
8) is the season’s first locally developed production, the delightfully offbeat comedy , written by Winnipeg’s Anika Dowsett. Created in MTYP’s Sandbox playwright’s unit, Dowsett’s script follows a “bird-voiced” tree-frog tadpole who’s put in a jar and relocated to a boy’s bedroom. Tad’s roommate? A lovebird who knows everything but the key to happiness.
“Anika has done a beautiful job keeping the childlike simplicity alive,” says Felices-Luna, who is hoping Dowsett’s play might parrot the success of this past season’s run of SUPPLIED South Korean company Brush is back at MTYP this season with fan favourite Doodle Pop. Are direct flights possible between Winnipeg and Seoul? If aeronautically advisable, Felices-Luna would advocate for one, because for the third time since taking the helm of MTYP, the artistic director is bringing the endlessly innovative South Korean company Brush back to the city. Last seen in 2023-24 with , Brush returns with (Feb.
27 -March 8), the show that first wowed Winnipeg audiences in 2022. “I watched a kid having so much fun, bouncing, that when they sat back down, the kid missed the seat,” says Felices-Luna. He doesn’t blame the young viewer.
“The show is so exciting that it’s hard to sit still.” During Elections Get campaign news, insight, analysis and commentary delivered to your inbox during Canada's 2025 election. From Montreal’s Bouge de là dance company comes (April 10-19), which follows four intrepid explorers following their curiosities into a deserted theatre basement, where they’re guided by an animate laser beam that becomes the show’s fifth character.
Then, to close the season, wild and lifelike puppets shake hands in Shizuka Kai’s , a semi-autobiographical journey into her relationship with her father, a wildlife videographer. Eager to understand her father’s work, the character Shizu climbs into his suitcase as he ventures north. SUPPLIED Doodle Pop will get kids bouncing out of their seats.
The puppets, says Felices-Luna, make you “feel as if you’re breathing with them.” Produced by Vancouver’s Little Onion Puppet Company and co-created by Kai, Jess Amy Shead and Randi Edmundson, runs April 24-May 17, 2026, in the Richardson Studio Theatre. The final production of MTYP’s current season, the world première of Wren Brian’s runs May 2-11.
Directed by Ray Strachan, the summer-camp production stars Kris Cahatol, Megan Fry, Rhea Rodych-Rasidescu and Toby Hughes. ben.waldman@winnipegfreepress.
com SUPPLIED The Mush Hole, inspired by Ontario’s Mohawk Residential School, returns to MTYP in November. DAVID WONG PHOTO Montreal’s Bouge de là dance company presents Glitch this season. Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the .
Born and raised in Winnipeg, Ben completed three internships with the while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. . Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the ‘s tradition, since 1872, of producing reliable independent journalism.
Read more about , and . Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider .
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support. Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the .
Born and raised in Winnipeg, Ben completed three internships with the while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. . Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the ‘s tradition, since 1872, of producing reliable independent journalism.
Read more about , and . Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider .
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support. Advertisement Advertisement.
