Big Girls Don't Cry is a powerful, heart-wrenching, and comical celebration of Indigenous resilience and survival

With Big Girls Don't Cry, Gumbaynggirr/Wiradjuri playwright Dalara Williams proves herself to be a formidable talent. Cheryl (Williams), Queenie (Megan Wilding) and Lulu (Stephanie Somerville) are three best friends who share a house together in 1960s Redfern, the heart of "Blak Sydney", after moving from the bush to the city. The trio swap outfits, go out dancing, socialise and talk about boys while navigating low-paying jobs, curfews and police brutality.

Directed by Ian Michael, Big Girls Don't Cry sits against a backdrop of political moments from service in the Vietnam War, to the 1965 Freedom Rides, the 1966 Wave Hill Walk Off and the 1967 Referendum. Pride and resilience The second act sees the girls prepare for the 1966 Aboriginal Debutante Ball at Paddington Town Hall. Their excitement and anticipation are palpable.



Stephen Wilson Barker/Belvoir The ball represents more than just a social event: it is a symbol of pride, resilience and cultural celebration. It serves as a powerful reminder of the community's strength and unity, showcasing their determination to preserve and honour their heritage amid adversity. Meticulous attention to detail in the set (Stephen Curtis) and costume design (Emma White) transports us back to this pivotal moment in history, making it feel both authentic and immersive.

Each character's wardrobe reflects their personality. Debutante dresses and accessories add depth to the characters and their stories, making the visual elements not only historically accurate but also emotionally resonant. Genuine and moving Williams' darker and more.

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